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Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core
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A Portrait Of Jacob Jozias Van Bredehoff (1677-1748), Seated Three-Quarter Length, Wearing A Brown Coat With A White Chemise And A Red And Orange Cloak, In A Formal Garden by Nicolaas Verkolje
![Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary:20230725074758371-0379:S0034433823002038:S0034433823002038_fig5.png?pub-status=live)
Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core
![Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary:20230725074758371-0379:S0034433823002038:S0034433823002038_fig3.png?pub-status=live)
Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck | Renaissance Quarterly | Cambridge Core
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